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Emma Kunz

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“The time will come when my pictures will be understood,” said Kunz. “[They] are destined for the 21st century.”

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Makoto Fujimura + Nihonga mixing

Makoto Fujimura mixes mineral-based pigments in the tradition of Nihonga painting (Japanese coloring techniques). His application is contemporary and tends toward abstraction (see below)

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Nihonga (Japanese Water-based Media)

raw pigments pigment being ground with water in a mortar From Wikipedia: Nihonga are typically executed on washi (Japanese paper) or eginu ( silk ), using brushes. The paintings can be either monochrome or polychrome. If monochrome, typically sumi (Chinese ink) made from soot mixed with a glue from fishbone or animal hide is used. If polychrome, the pigments are derived from natural ingredients: minerals , shells, corals , and even semi-precious stones like malachite , azurite and cinnabar . The raw materials are powdered into 16 gradations from fine to sandy grain textures. A hide glue solution, called nikawa , is used as a binder for these powdered pigments. In both cases, water is used; hence nihonga is actually a water-based medium . Gofun (powdered calcium carbonate that is made from cured oyster , clam or scallop shells) is an important material used in nihonga . Different kinds of gofun are utilized as a ground, for under-painting,

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